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Start Over Collection place Central California coast Accession year [Missing]
Image Missing: Hearst Museum object titled Arrow fragment, accession number 1-132797, described as Foreshaft with arrow socket.
Image Missing: Hearst Museum object titled Arrow fragment, accession number 1-132856, described as Foreshaft arrow fragment.
Hearst Museum object titled Asphaltum, accession number 1-242972, described as Asphalt fragments bearing impressions of a coiled basket. The basket had grass bundle foundation, rightward work direction, and non-interlocking stitch. One of the fragments bears impressions of three layers of basketry, one of which is coiled, another twined.
Image Missing: Hearst Museum object titled Audio recording, accession number 24-532, described as Woman's Love Song. Performed by Maria Viviena Soto. First song on cylinder. See A.L. Koreber Notes, p. 2681.
Image Missing: Hearst Museum object titled Audio recording, accession number 24-533, described as Puriseme~no Dancing Song. Performed by Maria Viviena Soto. Second song on cylinder. See A.L. Koreber Notes, p. 2681.
Image Missing: Hearst Museum object titled Audio recording, accession number 24-524, described as Gambling Song. Performed by Maria Viviena Soto. Third song on cylinder. See A.L. Koreber Notes, p. 2676.
Image Missing: Hearst Museum object titled Audio recording, accession number 24-525, described as Esselen Deer Dancing Song. Performed by Maria Viviena Soto. First song on cylinder. See A.L. Koreber Notes, p. 2674.
Image Missing: Hearst Museum object titled Audio recording, accession number 24-522, described as Myth of Coyote. Performed by Jacinta Gonzales. First song on cylinder. See A.L. Koreber Notes, p. 2674.
Image Missing: Hearst Museum object titled Audio recording, accession number 24-523, described as Song (part of Myth of Coyote). Performed by Maria Viviena Soto. Second song on cylinder. See A.L. Koreber Notes, p. 2676.
Image Missing: Hearst Museum object titled Audio recording, accession number 24-517, described as Women's Dancing Song. Performed by Maria Viviena Soto. See A.L. Koreber Notes, p. 2665.

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