Collection place: Tibetan Plateau / Function: 5.4 Secular and Religious Musical Instruments - Hearst Museum Portal Search Results

Start Over Collection place Tibetan Plateau Function 5.4 Secular and Religious Musical Instruments

Hearst Museum object titled Bell, accession number 9-21903a, no description available.

Hearst Museum object titled Bell, accession number 9-10970, described as Bell,metal,for relig.ceremonies;bronze(?);18 cm.Length;9.5 cm.width;brass half-vajra type handle w/head of Dharma welded to bell base. Petal lotus in dome. According to Professor Lewis Lancaster,the face at the base of the handle represents Yum-ma (mother)...

Hearst Museum object titled Bone trumpet, accession number 9-10836, described as Trumpet,leg-bone(kang-dung);section of tibia,chased silver-colored metal mouthpiece & end brace,skin coverings,sewn at either end,turquoise & coral gems set into metal at one end;34 cm.L.;7.2 cm.w.

Hearst Museum object titled Cover, accession number 9-12791b, no description available.

Hearst Museum object titled Cymbal, accession number 9-22068, described as T-206 & T-207 are one set of rolmo cymbals, also known as "bhookh." Together with regular cymbals (flat rather than hat-shaped) and long horns (gDung Chen--T-143 and T-144) they are played for ceremonial occasions at Tibetan monasteries, typically accompanied by bass drums. The hollow, hat-shape of these cymbals gives them the deep, stentorian sound valued in Tibetan sacred music. The rolmo cymbals are held horizontally, using the leather thongs, the upper one moved up and down to produce sound.

Hearst Museum object titled Cymbal, accession number 9-22069, described as T-206 & T-207 are one set of rolmo cymbals, also known as "bhookh." Together with regular cymbals (flat rather than hat-shaped) and long horns (gDung Chen--T-143 and T-144) they are played for ceremonial occasions at Tibetan monasteries, typically accompanied by bass drums. The hollow, hat-shape of these cymbals gives them the deep, stentorian sound valued in Tibetan sacred music. The rolmo cymbals are held horizontally, using the leather thongs, the upper one moved up and down to produce sound.

Hearst Museum object titled Damaru, accession number 9-22066, described as This is a damaru, a small hand-held drum used in ritual and meditation practices. It is held in the right hand and the wrist is rotated back and forth so that the turquoise strikers rapidly beat the two drum skins. At the same time, the ritual bell (ghanta) is often rung by the left hand. The most typical use of these is as a musical offering to whichever deities are being addressed in the ritual. See also T-159.

Hearst Museum object titled Damaru, accession number 9-22050, described as This is an elaborate version of the damaru T-158. Human skull bones are used for the body of the drum. The skin may be human. The damaru is a small hand-held drum used in ritual and meditation practices. It is held in the right hand and the wrist is rotated back and forth so that the turquoise strikers rapidly beat the two drum skins. At the same time, the ritual bell (ghanta) is often rung by the left hand. The most typical use of these is as a musical offering to whichever deities are being addressed in the ritual. See also T-158.

Hearst Museum object titled Drum, accession number 9-12791a, no description available.

Hearst Museum object titled Drum, accession number 9-10997, described as cymbal, ritual; brass, bone, leather; used by anyone during religious ceremonies as part of ritual; cymbal struck with bone striker; used to call the ghosts of the dead to be given a food offering (fide Professor Lewis Lancaster, UCB Oriental Languages Department ca. 1976)